Voice, Sonic Agency and the Environment

RKE

This Research & Knowledge Exchange Doctoral Project brief summarises our priority areas of research interest under the heading of: Voice, Sonic Agency and the Environment.

We welcome all research degree applications aligned with and in response to this brief.

Project brief details

This PhD project is governed by two interrelated primary questions: a) what constitutes voice and sonic agency in relation to being (human and more than human life)? b) how might sonic agency address social inequalities, environmental issues and function as a tool to bring about social and environmental change? 

The scope of this project is therefore concerned with investigating the relationship between voice, sound, being and the environment and questioning how agency and change might be considered, fostered and brought about. Therefore, candidates are invited to consider voice and sound’s affective, resistant, disruptive, imaginative and communicative qualities in terms of the power to produce effects in the context of interrelated social inequalities and environmental challenge and crisis.  

We invite a wide range of interpretations and research methodologies, encouraging in each instance, research that seeks to creatively engage with sonic agency, being and the environment through one or more of the following frameworks: sound studies, sound art, composition studies, songwriting, performance, critical musicology, philosophy. Importantly, all proposals should aim to establish a sense of how voice and sonic agency in relation to life quality and the environment potentially shifts opinion, creates empathy, disseminates ’knowledge’, imagines futures, enacts political transformation and/or effects policy change.  It would therefore be useful for applications to identify an area of focus as demarcated, for example, by community, region, culture, place. 

We encourage active engagement with the creative deployment of sound technologies and/or immersive audio-visual and virtual technologies as well as anticipate co-authorship within the hosting department AMATA and the supervisory team.  

Strategic alignment

Projects deriving from this brief are expected to sit within the Research & Knowledge Exchange strategy and the following department.

Department Academy of Music & Theatre Arts

All successful research degree project proposals must emphasise a clear alignment between the project idea and our Research & Knowledge Exchange strategy. 

Project brief lead

Ferrett

Project Supervisor: Dr D Ferrett


Dr D Ferrett is Associate Professor of Music, Sound and Culture and the Research Lead for the Academy of Music and Theatre Arts (AMATA). She is a theorist publishing in sound and music studies, and a vocalist with a musical background based in improv, post-punk, noise pop and blues music. D currently leads the BA (Hons) Popular Music and the BA (Hons) Music degrees as well as teaches across the undergraduate programmes with a modular focus on music, culture, reality-virtuality and futurist philosophy. 

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How to apply

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We welcome all research degree applications aligned with this Doctoral Project brief. ​To apply in response to this brief or learn about the application process click the button below.

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Enquiries

Project brief & project proposal enquiries

To discuss this project brief, ideas or project proposal responding to this brief, please contact: Dr D Ferrett.

E: d.ferrett@falmouth.ac.uk

Application enquiries

For all other application related enquires please contact the Research & Development team.

E: pgr@falmouth.ac.uk

T01326 255831

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