Radical Spaces of Making

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This Research & Knowledge Exchange Doctoral Project brief summarises our priority areas of research interest under the heading of: Radical Spaces of Making.

We welcome all research degree applications aligned with and in response to this brief.

Project brief details

Spaces of making have the capacity to shape life-worlds, shift political, economic and material narratives, and generate creative outputs that strengthen social and environmental bonds (Adamson, 2018; Desilvey, 2017; Luckman & Thomas, 2018; Marchand, 2008; Shales, 2017). With specific attention paid to practices of making, this doctoral project proposal invites an exploration of the function of the studio (Buren, 1979) through active studio practice within the Falmouth School of Art, whilst also addressing the artists’ studio in its expanding socio-political forms beyond the campus (Thorne, 2012). As such, the research may attend to the capacity for shared places to foster new relations by ‘enabling and constraining the way in which people come together’ (Kohn, 2018), and where assemblages of matter, materiality and performativity might also be activated (Bennett, 2010). Here, there are opportunities for enquiry throughout Cornwall’s creative and heritage sectors; where consideration might be paid to how, why and where makers are working.  

Starting from a recognition that conceptualisations of space are now understood to encompass multiple intersections of human and non-human ecologies (Massey, 2005; Haraway, 1988; Sloterdijk, 2011), this doctoral proposal encourages an investigation and pursuance of the radical within the research narrative; thus opening up potential for the examination and contestation of spatial practice at a root level (Shaw and Humm, 2016).  

It is suggested that primary modes of practice-based research methodologies be drawn from, but are not limited to, sculpture, drawing, performance, craft as social practice, and audio-visual media. Other research methodologies might extend to the creative turn in the humanities framed by ethnography, anthropology, geography, archaeology, social science and experimental pedagogies.  

Strategic alignment

Projects deriving from this brief are expected to sit within the Research & Knowledge Exchange strategy and the following department.

Department Falmouth School of Art

All successful research degree project proposals must emphasise a clear alignment between the project idea and our Research & Knowledge Exchange strategy. 

Project brief lead

David Paton photo 3
David Paton photo 3

Project supervisor: Dr David A Paton


David is an artist-researcher and a craftsperson with a specialism in Cornish granite. He has been a practicing artist and stone sculptor since 1993, and for many years worked extensively in the public sphere, initiating a number of artist-led and socially engaged projects across the UK. 

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How to apply

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We welcome all research degree applications aligned with this Doctoral Project brief. ​To apply in response to this brief or learn about the application process click the button below.

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Enquiries

Project brief & project proposal enquiries

To discuss this project brief, ideas or project proposal responding to this brief, please contact: Dr David A Paton.

E: David.Paton@falmouth.ac.uk

Application enquiries

For all other application related enquires please contact the Research & Development team.

E: research@falmouth.ac.uk

T01326 255831

Additional resources

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