This Research & Knowledge Exchange Doctoral Project brief summarises our priority areas of research interest under the heading of: Moving through Materescence: Examining the potential of trauma informed dance practice in amplifying peri-natal mental health narratives and recovery.

We welcome all research degree applications aligned with and in response to this brief.

Project brief details

The psychosocial benefits of dance in a variety of contexts are now widely acknowledged (Chappell et al. 2021). What is more the social prescribing movement and the role that arts organisations play in the general well-being of communities and societies provides evidence that dance is a practice with both measurable and more intangible outcomes that support mental health.  

Materescence – the process of becoming a mother that involves physical, psychological and emotional changes - has been little explored by the medical community; and indeed the medical model shows its limitations when dealing with the intersectional issues that can cause this period to be vastly different depending on lived experience. Maternal mental health is not only significant in its own right but central to ensuring the mental health of future generations, where there has been an exponential rise in conditions such as anxiety and depression in young people.  Furthermore, while post-natal depression is more widely recognised, there are a variety of conditions and experiences unique to this identity reformation that are less researched,  such as peri-natal obsessive compulsive disorder. According to the Maternal Mental Health Alliance new mothers are often not getting the support they need. This project will investigate how dance practice can aid new mothers to find creative agency, somatic awareness and empathic connection through dance practice at a time when their bodies have become attuned to the needs of others over and above their own. Through dance practice underpinned by trauma-informed care, this research will explore embodiment as a mode to support recovery and new understandings. Using theoretical perspectives from feminist and anti-abelist discourse the practice as research is also a way to engage in the multiplicity of narratives that materesence produces through choreographic material, thus resisting the dominant hegemonic narrative of the maternal archetype.   

Strategic alignment

Projects deriving from this brief are expected to sit within the Research & Knowledge Exchange strategy and the following department.

Department Academy of Music & Theatre Arts

All successful research degree project proposals must emphasise a clear alignment between the project idea and our Research & Knowledge Exchange strategy. 

Project brief lead

Pethybridge

Project Supervisor: Dr Ruth Pethybridge


Dr Ruth Pethybridge is a choreographer, facilitator and researcher. She has delivered dance in diverse settings with all ages: from babies to the elderly and everything in between. Her socially engaged practice emphasises creativity in choreographic processes, finding ways to form people's unique choices and ways of moving into choreographic work and blurring the lines between social gathering and performance. She joined Falmouth University as a lecturer in 2013 and completed her practice based PhD on concepts of community in cross-generational dance in 2017.
 

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How to apply

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We welcome all research degree applications aligned with this Doctoral Project brief. ​To apply in response to this brief or learn about the application process click the button below.

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Enquiries

Project brief & project proposal enquiries

To discuss this project brief, ideas or project proposal responding to this brief, please contact: Dr Ruth Pethybridge.

E: ruth.pethybridge@falmouth.ac.uk

Application enquiries

For all other application related enquires please contact the Research & Development team.

E: pgr@falmouth.ac.uk

T01326 255831

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