Digital Curation and the Networked Image
Volumetric Practices in Post-Internet Art
This Research & Knowledge Exchange Doctoral Project brief summarises our priority areas of research interest under the heading of: Digital Curation and the Networked Image: Volumetric Practices in Post-Internet Art
We welcome all research degree applications aligned with and in response to this brief.
This is a funded opportunity.
Project brief details
This PhD project explores how post-internet artists and curators use digital and volumetric technologies to shape new curatorial and artistic strategies. As networked and volumetric images become central to digital visual culture, the project examines how curatorial practice navigates questions of collaboration, authorship, and audience engagement in online and hybrid environments.
Through practice-based inquiry, the research investigates how digital curation redefines the lifecycle of artworks, especially in relation to emergent technologies such as blockchain, XR, and decentralised platforms. Ethnographic engagement with digital art communities will complement experimental curatorial projects, combining critical theory with hands-on exploration.
This research contributes to broader debates in digital art, network culture, and curatorial studies, enhancing understanding of how contemporary art is mediated, circulated, and archived in the digital age.
This project is fully funded through the Expanding Excellence in England (E3) fund through Research England. The deadline for applications is 25 May 2025, and applications can be made through the link below.
Strategic alignment
Based in the Centre for Blended Realities, this project supports institutional research strengths in digital creativity, curation, and emergent media. It contributes to the Centre’s aims to advance research into underrepresented and experimental media cultures.
Centre | Centre for Blended Realities |
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All successful research degree project proposals must emphasise a clear alignment between the project idea and our Research & Knowledge Exchange strategy.
Project brief lead

Project Supervisor: Dr Tom Milnes
Tom Milnes is an artist, curator and researcher based in the UK. He is a Research Fellow at the Centre for Blended Realities, Falmouth University. Milnes’ practice explores the materiality of imagery and technology, engaging with the cultural impact of media through glitches, errors or hidden subcultures. His practice explores the aesthetics of digital imagery incorporating emergent technologies such as photogrammetry, augmented reality and NetArt methods, often through sculptural or social-engagement practices, as ways to challenge our relationship to digital technology and the physical world. Milnes recently completed Ashnihilation; a major public artwork commission for European Research Development Fund/Green Minds, which reimagines Plymouth’s relationship with nature through HoloLens augmented reality headsets.
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Enquiries
Project brief & project proposal enquiries
To discuss this project brief, ideas or project proposal responding to this brief, please contact: Dr Tom Milnes.
Application enquiries
For all other application related enquires please contact the Research & Development team.
T: 01326 255831
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